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Joseph Roth paints a vivid portrait of Emperor Napoleon’s last grab at glory, the hundred days spanning his escape from Elba to his final defeat at Waterloo. This particularly poignant work, set in the first half of 1815 and largely in Paris, is told from two perspectives, that of Napoleon himself and that of the lowly, devoted palace laundress Angelica-an unlucky creature who deeply loves him. In The Hundred Days, Roth refracts the deep sorrow of their intertwined fates.
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«Сто днів» (1935) — єдиний історичний твір письменника, де на тлі вбивчого безумства імператора Наполеона I подано разюче зображення трагедії малої людини, — а водночас і цілого покоління! — що беззастережно вірила в проголошені ідеали. «Левіафан» (1940) — один з останніх творів Йозефа Рота, що вийшов друком уже після смерті автора й зображує нині втрачений світ єврейських громад Галичини та Східної Європи.
1 Artikel
Technische Daten
Autor/-in
Roth Joseph
Рот Й.
Verlag
FOLIO
ISBN
9789660374652
Format
Hardcover
тверда
Year Published
2016
Seiten
240
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Joseph Roth paints a vivid portrait of Emperor Napoleon’s last grab at glory, the hundred days spanning his escape from Elba to his final defeat at Waterloo. This particularly poignant work, set in the first half of 1815 and largely in Paris, is told from two perspectives, that of Napoleon himself and that of the lowly, devoted palace laundress Angelica-an unlucky creature who deeply loves him. In The Hundred Days, Roth refracts the deep sorrow of their intertwined fates.