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The stories in the collection ‘The Swim,’ written in the late 1970s and early 1980s, show the emergence of Sorokin optics. Frozen Soviet life, tired people accustomed to doublethink, worn-out concepts come to life at the slightest author’s provocation. ‘National Economy’, ‘flying’, ‘swim’ turn out to be a fragile shell of suffering, burlesque and absurdity.
The stories in the collection ‘The Swim,’ written in the late 1970s and early 1980s, show the emergence of Sorokin optics. Frozen Soviet life, tired people accustomed to doublethink, worn-out concepts come to life at the slightest author’s provocation. ‘National Economy’, ‘flying’, ‘swim’ turn out to be a fragile shell of suffering, burlesque and absurdity.
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