of several generations of an upper-class family during the First World War and the Civil War in Russia. Historical events, providing a background for the narrative, are depicted not directly but rather as seismic shock waves overturning and transforming the lives of ordinary people. Lala, Natasha, Toma - three heroines are close friends, all from formerly affluent families stripped of their...

In this issue: Larissa Miller HomoLudens, Childhood in Post-War Moscow, Papa Misha, St.Petersburg-Leningrad, Muzyka - Music, Flitting and Gliding, the Black Sea, Virgin Lands, My Romance with English, My Land and Home, In Lieu of Conclusion. Larissa Miller's memoir recounts her childhood in postwar Moscow, with reminiscences of her mother, a major journalist under Stalin, and of her father...

In this issue: Vladimir Sorokin A Business Proposition, Four Stout Hearts, Igor Iarkevich How I Shit My Pants, How I Did Get Raped, Viktor Erofeev De Profundis, Cheekbones, a Nose and a Gully, Daniil Kharms A Letter and Other Pieces, Yuri Miloslavski Urban Sketches, Alexander Terekhov Charon, Buddy. An Ironic Diary, Serfei Iask Per Somnia. The issue is concluded with autobiographical...

In this issue: Alexander Genis Literary Nonfiction by A. Genis, The View from the Window, Red Bread, USA from A to Y, Brodsky in New York, Darkness and Silence: The Art of Subtraction. These literary pieces by one of Russia's foremost essayists reflect the author's bi-culturalism - Russian and American civilizations are compared in their various manifestations. Genis is a shrewd and observant...

Series: Glas New Russian Writing, Volume 18 In this issue: Asar Eppel Red Caviar Sandwiches, Semyon's Lonely Soul, One Warm Dark Night, Two Tobits, July, Inasmuch and Insofar As, Sorry Lot, You're My Second, Sitting in the Dark on bentwood Chairs. Asar Eppel is a past master of the subtle detail and the bon mot. His minute descriptions of everyday life make you either burst out laughing or...

In this issue: Leonid Latynin ‘The Face-Maker and the Muse’. This 1978 Russian novel is about an artist who lives in ‘the city,’ a dystopian hell whose citizens are identified only by numbers - unless they happen to look like an idealized face called ‘the image’ - created by the eponymous Face-Maker - in which case they receive a name and certain privileges. Plastic surgery, of course, plays...

In this issue: Marina Filatova ‘If I Were a Man…’, Svetlana Vasilenko ‘Shamara’, Nina Sadur from ‘Witch's Tears’, Marina Palei ‘The Bloody Women's Ward’, Galina Scherbakova ‘The Three Loves of Masha Peredreeva’, Larissa Miller ‘A Childhood in Post-War Moscow’, Elena Glinka ‘Kolyma Streetcar’, Julia Latynina ‘Waiting for the Golden Age’. Poetry: Nina Iskrenko, Elena Schwartz. The issue is...

In this issue: Vladimir Makanin ‘The Captive of the Caucasus’, Victor Pelevin ‘The Tambourine for the Upper World’, Vassily Aksyonov ‘Palmer's First Flight’, ‘Palmer's Second Flight’, Zinovy Zinik ‘The Moth’, Alexander Terekhov ‘The Rat Killer’, ‘Happiness’, Mark Shatunovsky ‘The Discrete Continuity of Love’. 1995 Booker winners: Georgy Vladimov ‘A General and His Army’, Oleg Pavlov ‘An...

Whence Henry Miller's title for this, one of his most appealing books; first published in 1957, it tells the story of Miller's life on the Big Sur, a section of California coast where he lived for fifteen years. Big Sur is the portrait of a place 'one of the most colorful in the U.S. 'and of the extraordinary people Miller knew there: writers (& writers who didn't write), mystics seeking...

За все в этой жизни нужно заплатить. За мимолетные минуты славы, богатство и за многое другое поплатился главный герой нашей книги. Как он потом понял ни деньги, ни известность не могут заменить чувства, которые испытывает человек, испытывающий любовь, радость, человеческое счастье. Дойдя до вершины славы, герой заплатил главным в жизни – своим сердцем. Смерть ходит за ним по пятам. Кто может...