Alexander Rodnyansky analyzes the cultural and social life of Russia in the 2000s and early 2020s using nine films he produced as examples. Cinema, Rodnyansky believes, reflects changing moods in society better than any social surveys. In this book, he recalls his professional path — from Fyodor Bondarchuk’s 'The 9th Company' to Vladimir Bitokov’s 'Mom, I’m Home' — to understand how, against the backdrop of a seemingly peaceful and well-fed life, totalitarian tendencies developed in Russia, mixed with deep resentment, arrogant militarism, and anti-Western paranoia.