To give you the best possible experience, this site uses cookies. Using your site means your agree to our use of cookies. We have published a new cookies policy, which you should need to find out more about the cookies we use. View Cookies Policy.
Comprising four dramatic scenes—*The Covetous Knight*, *Mozart and Salieri*, *The Stone Guest*, and *A Feast in Time of Plague*—the *Little Tragedies* focus on gripping tales of destructive passions. Greed and lust, envy and a craving for immortality take possession of Pushkin’s characters. They do not merely experience passion; they affirm it as the supreme value of existence, serving and worshipping it with a readiness to sacrifice both themselves and others. The central tragic conflict plays out not between the characters and the outside world, but within the characters themselves—in the internal contradictions of their minds and personalities.
Delivery policyAll items in stock should ship within 24 hours.
Comprising four dramatic scenes—*The Covetous Knight*, *Mozart and Salieri*, *The Stone Guest*, and *A Feast in Time of Plague*—the *Little Tragedies* focus on gripping tales of destructive passions. Greed and lust, envy and a craving for immortality take possession of Pushkin’s characters. They do not merely experience passion; they affirm it as the supreme value of existence, serving and worshipping it with a readiness to sacrifice both themselves and others. The central tragic conflict plays out not between the characters and the outside world, but within the characters themselves—in the internal contradictions of their minds and personalities.
1 Item
Data sheet
Author
Pushkin Aleksandr
Publisher
Lenizdat
ISBN
9785445305071
Format
Hardcover
Year Published
2014
Pages
160
No customer reviews for the moment.
Comprising four dramatic scenes—*The Covetous Knight*, *Mozart and Salieri*, *The Stone Guest*, and *A Feast in Time of Plague*—the *Little Tragedies* focus on gripping tales of destructive passions. Greed and lust, envy and a craving for immortality take possession of Pushkin’s characters. They do not merely experience passion; they affirm it as the supreme value of existence, serving and worshipping it with a readiness to sacrifice both themselves and others. The central tragic conflict plays out not between the characters and the outside world, but within the characters themselves—in the internal contradictions of their minds and personalities.