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The great Russian artist Kazimir Malevich (1879-1935) is known as one of the key figures in the Russian avant-garde. His painting overturns the usual ideas about art and gives birth to new meanings. Malevich belongs to those artists who said important words about the new art. Since 1915, he has been creating texts parallel to his artistic quest. A cross-cutting theme in Malevich's vocabulary is the criticism of art that imitates the natural, already created, and the approval of art that creates the second nature. What is this second nature, how should it look? Who knows? Who can guess? Kazimir Malevich is looking for ways. The book includes articles from different years, as well as two major works - 'Suprematism. The world as non-objective, or Eternal rest' and 'Fr
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The great Russian artist Kazimir Malevich (1879-1935) is known as one of the key figures in the Russian avant-garde. His painting overturns the usual ideas about art and gives birth to new meanings. Malevich belongs to those artists who said important words about the new art. Since 1915, he has been creating texts parallel to his artistic quest. A cross-cutting theme in Malevich's vocabulary is the criticism of art that imitates the natural, already created, and the approval of art that creates the second nature. What is this second nature, how should it look? Who knows? Who can guess? Kazimir Malevich is looking for ways. The book includes articles from different years, as well as two major works - 'Suprematism. The world as non-objective, or Eternal rest' and 'From the book about non-objective'.
1 Item
Data sheet
- Author
- Malevich Kazimir
- Publisher
- AST
- ISBN
- 9785171093723
- Format
- Paperback
- Year Published
- 2022
- Pages
- 512
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The great Russian artist Kazimir Malevich (1879-1935) is known as one of the key figures in the Russian avant-garde. His painting overturns the usual ideas about art and gives birth to new meanings. Malevich belongs to those artists who said important words about the new art. Since 1915, he has been creating texts parallel to his artistic quest. A cross-cutting theme in Malevich's vocabulary is the criticism of art that imitates the natural, already created, and the approval of art that creates the second nature. What is this second nature, how should it look? Who knows? Who can guess? Kazimir Malevich is looking for ways. The book includes articles from different years, as well as two major works - 'Suprematism. The world as non-objective, or Eternal rest' and 'Fr